How Old Is the Actress Who Plays the Mother in Mama Mia Here We Go Again?
Don't become wasting your emotion. There'southward no use getting upset about the sloppy framing of something similar Mamma Mia! Here We Get Again, the cinematic equivalent of a golden retriever puppy—panting, happy-go-lucky, virtually pathologically eager to please. Information technology's got catchy tunes, and sunny skies, and the widest bell-bottoms in all the land; information technology casts Andy García equally a mysterious hunk named Fernando, solely for the purpose of carting out Cher to belt ABBA's 1976 hit "Fernando." It gives the people what they want.
But however: Mamma Mia! Here We Go Again—which should ideally be referred to past its complete approved title, exclamation bespeak included—plays fast and loose with time and infinite, enough to occasionally distract from the flick's myriad pleasures. At least, if you're the kind of nut who's kept awake at dark by questions about how the cars in Cars make baby cars. (Warning: spoilers and excessive pedantry follow.)
The trouble starts in the motion picture's Godfather: Part Two-esque flashbacks, which illustrate that crazy summer when Donna Sheridan (in her younger years, played past Lily James; in her older years, played past a pair of overalls filled with Meryl Streep) found love three times over with a trio of eligible foreign bachelors. Her story begins in May or June of 1979, when she's somewhere around 22 years onetime—which nosotros know because of a helpful chyron that appears on-screen simply before Immature Donna unleashes a problematic ABBA B side at her college graduation.
The yr 1979 is perfectly fine; just ask Billy Corgan. Yet! Donna's wild youth was too the focus of a musical number in the first flick: "Our Final Summer," sung sweetly in that film'southward present day by her grown-up suitors. (Yeah, fifty-fifty Pierce Brosnan.) According to Neb, the crumbling Casanova Stellan Skarsgård plays, their trysts with Donna happened during "the time of the Bloom Power," which would really place their last summer sometime long before 1979—in the late 1960s or early 1970s, according to my precise, scientific calculations. Brief flashes of Brosnan and Skarsgård in young-person drag likewise back up this thought; they're dressed like regulation hippies.
"Our Last Summer" may not be entirely reliable; it does, afterwards all, encourage us to rhyme "Seine" with "rain." Only the timing it implies really makes more sense than the timeline established in the second film, since Skarsgård, Brosnan, and Streep are all in their mid- to tardily-60s in real life, and would therefore have been appropriately bright-eyed and bushy-tailed during that before era. But none of these people were anywhere close to 22 in 1979, as Donna plain was. (Colin Firth, who plays the third man in Donna's life, is only 57—a relative spring craven, though however not quite old enough to make the timing work. Perhaps that'due south why Brosnan and Skarsgård are given groovy wigs in their flashback, but Firth is made over as a Johnny Rotten-loving punk—an emissary of yet another era.)
However! To complicate matters further, in the first movie, Donna's daughter, Sophie (Amanda Seyfried)—the consequence of one of her Last Summer trysts—is supposed to be twenty years old. And that movie came out in 2008. And 2008 does not come 20 years after the late 1960s or early 1970s, or fifty-fifty 1980, when Sophie was actually born, according to the new picture show'due south chronology. And while it's perfectly possible that Mamma Mia! was released in 2008 just non prepare in 2008, in that location's no indication in the movie itself that we're meant to be watching a period piece, unless the period in question is "fever dream, circa anytime." Could it be that the first pic is actually ready in 1999, when the stage version of Mamma Mia! premiered in London, or 2001, when it premiered on Broadway? It is literally impossible to know for certain.
However! It's too nigh on incommunicable to determine how much time has elapsed between the events of Mamma Mia! and the events of Here We Go Again. In real life, it'southward been 10 years; in Here We Go Again, everyone certainly looks like they've anile about a decade. In that location's a whole comic set piece about information technology, when a passport-taker riffs at excruciating length about how cruel time has been to poor Skarsgård!
Yet Bill, at one betoken, says that he's a homo in his fifties, implying that Skarsgård is playing someone significantly younger than the actor is in real life—which fits the timeline established in Here We Become Again, just does not fit the evidence earlier our very optics. And at another point, Sophie tells Cher'due south character—who plays the Sheridan family unit matriarch—that she's "about 25 years too late" to showtime acting similar Sophie'south grandmother. Which would indicate that only five years have passed between movies.
Even so! If that'southward true, and it's therefore supposed to be 2005—according to Here We Go Once more's retconned timeline—how does Neb's female acquaintance have an iPhone, a device that wasn't released to the public until 2007? Did she get an early epitome because Beak has been named Earth's Greatest Swede, or whatever the fabricated-up award that most prevents him from coming to Sophie's assist is chosen? (Side note: was that literary distinction, bestowed past some sort of Swedish university, supposed to be . . . the Nobel Prize?!)
Plus: Cher—her grapheme has a proper name, but permit's be real: who cares?—says that she met Fernando in Mexico in 1959, a yr in which Cher herself was xiii, and Andy García was all of three years old. But why would the movie work and then hard to age these characters upwards, while simultaneously desperately trying to historic period down the Meryl generation? What was in the air that night, Fernando?
And speaking of which: Have we collectively decided not to be bothered most the fact that 72-yr-old Cher is apparently sometime enough to be 69-year-old Meryl Streep's mother, and 32-yr-sometime Amanda Seyfried'due south grandmother? She's besides young to play even 25-year-erstwhile Sophie Sheridan's grandmother, if Sophie is in fact 25!
Not to mention: Has Christine Baranski seriously had that same well-baked Velma Kelly bob for the past 25, 30, or 39 years, depending on how we're counting? I hateful, what are we to believe—that this is some sort of a magic xylophone or something?
So, yes: the only possible decision is that the Mamma Mia! movies accept identify in a fabulous, sun-soaked wormhole, a Mediterranean nether realm beyond the limitations of what we mortals know as "time." That, or thrillingly lazy screenwriting. The prosecution rests.
Source: https://www.vanityfair.com/hollywood/2018/07/mamma-mia-here-we-go-again-timeline-what-year-is-it
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